1
00:00:07,100 --> 00:00:10,030
PREVIOUSLY ON
"SWITCHED AT BIRTH"...

2
00:00:10,030 --> 00:00:11,070
WHAT'S GOING ON?

3
00:00:16,110 --> 00:00:17,410
DON'T FOLLOW ME.

4
00:00:17,410 --> 00:00:18,920
I CAN HOOK YOU GUYS UP
WITH SOME COKE.

5
00:00:18,920 --> 00:00:20,620
- HAVE YOU DONE THIS BEFORE?
- NO, NO, NO,

6
00:00:20,620 --> 00:00:23,160
BUT THIS IS GOOD.
THIS IS REALLY GOOD.

7
00:00:23,160 --> 00:00:26,080
DAPHNE, I'M TRYING TO GET
THROUGH THIS, JUST LIKE YOU.

8
00:00:26,080 --> 00:00:28,170
YOU REALLY WANT TO KNOW
HOW MY TRIP WAS?

9
00:00:28,170 --> 00:00:29,470
YEAH.

10
00:00:29,470 --> 00:00:31,720
I GOT VERY HIGH.

11
00:00:31,720 --> 00:00:33,970
YOU KNOW WHAT?
YOU ARE NOT THE ONLY ONE
GOING THROUGH STUFF,

12
00:00:33,970 --> 00:00:36,010
SO STOP ACTING
LIKE A LITTLE BRAT.

13
00:00:38,180 --> 00:00:39,890
LOOK, IF YOU'RE REALLY
PISSED AT YOUR MA

14
00:00:39,890 --> 00:00:41,390
AND YOU NEED HER TO KNOW,
THEN YOU GOTTA SHOW HER.

15
00:00:44,890 --> 00:00:47,850
I CAN'T BELIEVE
I JUST DID THAT.
I'M ON PROBATION.

16
00:00:47,850 --> 00:00:49,070
A BAD GIRL, HUH?

17
00:00:57,400 --> 00:00:59,080
I'M JUST REALLY WORRIED
ABOUT HER.

18
00:01:07,700 --> 00:01:10,010
- WHAT'S GOING ON?
- YOU NEED TO SIT DOWN.

19
00:01:20,430 --> 00:01:23,100
IS IT TRUE?

20
00:01:23,100 --> 00:01:24,060
YOU DID COCAINE?

21
00:01:26,020 --> 00:01:27,600
THANK YOU.

22
00:01:27,600 --> 00:01:29,280
BAY WAS RIGHT
TO TELL US.

23
00:01:29,280 --> 00:01:31,570
- WHAT WERE YOU THINKING?
- CLEARLY, SHE WASN'T.

24
00:01:31,570 --> 00:01:34,150
I DID IT ONE TIME
AND I HATED IT.

25
00:01:34,150 --> 00:01:36,030
AND I WILL NEVER DO IT
AGAIN, OKAY?

26
00:01:36,030 --> 00:01:38,160
NO, IT'S NOT OKAY--
THE FACT THAT YOU
DID IT ONE TIME

27
00:01:38,160 --> 00:01:40,240
- AND SNUCK
BEHIND OUR BACKS--
- MY MOM KNEW.

28
00:01:40,240 --> 00:01:42,120
- WHY DIDN'T YOU TELL US?
- WHAT THE HELL IS SHE
TALKING ABOUT?

29
00:01:42,120 --> 00:01:43,500
HOLD ON.

30
00:01:43,500 --> 00:01:46,330
YOU TOLD ME YOU GOT HIGH.
I ASSUMED YOU MEANT POT.

31
00:01:46,330 --> 00:01:48,340
OH, SO POT'S OKAY
WITH YOU?

32
00:01:48,340 --> 00:01:50,380
SWEETHEART, WE KNOW

33
00:01:50,380 --> 00:01:53,050
THAT YOU'VE BEEN
GOING THROUGH A TOUGH TIME
THESE PAST FEW WEEKS,

34
00:01:53,050 --> 00:01:55,090
BUT DRUGS ARE NOT
THE ANSWER.

35
00:01:55,090 --> 00:01:56,960
I SAID IT WON'T
HAPPEN AGAIN.

36
00:02:01,180 --> 00:02:03,520
BAY SAID THAT YOU
SHOVED HER.

37
00:02:03,520 --> 00:02:05,140
WHAT IS THAT ABOUT?

38
00:02:05,140 --> 00:02:08,190
SHE IS EXAGGERATING.
I BARELY TOUCHED HER.

39
00:02:08,190 --> 00:02:09,530
YOU PUSHED ME.

40
00:02:09,530 --> 00:02:12,190
BECAUSE YOU WOULDN'T MIND
YOUR OWN BUSINESS.

41
00:02:12,190 --> 00:02:14,400
I'M NOT THE ONE
WHO'S HANGING AROUND
WITH THAT LOSER

42
00:02:14,400 --> 00:02:16,570
WHO THREW A BRICK
THROUGH REGINA'S WINDOW.

43
00:02:16,570 --> 00:02:17,820
- WHAT?
- WHO?

44
00:02:17,820 --> 00:02:21,580
SOME GUY NAMED NACHO
FROM EAST RIVERSIDE.

45
00:02:21,580 --> 00:02:23,870
NACHO RIVERA?

46
00:02:23,870 --> 00:02:26,450
HE THREW THE BRICK?
AND NOW YOU'RE SEEING HIM?

47
00:02:26,450 --> 00:02:29,340
SERIOUSLY?
ARE YOU THAT MAD AT ME?

48
00:02:29,340 --> 00:02:31,840
- WHAT'S SHE
MAD AT YOU FOR?
- TAKE YOUR PICK--

49
00:02:31,840 --> 00:02:34,170
THAT SHE'S IN BUSINESS
WITH CHIP COTO,

50
00:02:34,170 --> 00:02:36,960
OR THAT SHE PULLED
A GUN ON ME.

51
00:02:36,960 --> 00:02:38,050
- WHAT?
- OH MY GOD, A GUN?

52
00:02:38,050 --> 00:02:39,720
- IT WAS AN ACCIDENT.
- OKAY, WAIT.

53
00:02:39,720 --> 00:02:43,010
THE GUN I KNEW ABOUT,
BUT CHIP COTO?

54
00:02:43,010 --> 00:02:45,100
- YOU KNEW?
- HOW COULD YOU BE
SO CARELESS?

55
00:02:45,100 --> 00:02:48,440
IT WAS LATE AT NIGHT AT KandD.
I WASN'T EXPECTING ANYBODY.

56
00:02:48,440 --> 00:02:51,020
LOOK, THE GUN IS GONE.
I GOT RID OF IT.

57
00:02:51,020 --> 00:02:52,730
WAIT A SECOND.
WHERE DO YOU THINK
YOU'RE GOING?

58
00:02:52,730 --> 00:02:55,190
- I HAVE TO GO TO SCHOOL.
- OKAY, WE'LL FINISH LATER.

59
00:02:55,190 --> 00:02:57,770
BUT AS OF RIGHT NOW,
YOU ARE GROUNDED
INDEFINITELY.

60
00:02:57,770 --> 00:03:00,370
SCHOOL, THE CLINIC,
HOME-- THAT'S IT.

61
00:03:00,370 --> 00:03:01,580
WHATEVER.

62
00:03:01,580 --> 00:03:03,370
THAT GOES FOR PROM TOO.

63
00:03:03,370 --> 00:03:06,660
IT DOESN'T MATTER.
I DON'T WANT TO GO ANYWAY.

64
00:03:11,790 --> 00:03:12,920
( deeply exhales )

65
00:03:20,300 --> 00:03:23,300
( theme music playing )

66
00:03:34,020 --> 00:03:35,440
WHAT IS THAT?

67
00:03:40,030 --> 00:03:41,820
OH, COOL.

68
00:03:44,360 --> 00:03:46,360
OH, NO.
I'M SORRY.

69
00:03:46,360 --> 00:03:48,670
IT'S BEEN
A ROUGH MORNING.

70
00:03:52,920 --> 00:03:55,130
I JUST HOPE THAT I DID
THE RIGHT THING.

71
00:03:55,130 --> 00:03:56,920
I LOVE IT, REALLY.

72
00:03:56,920 --> 00:04:00,050
AND THE BEST PART IS,
IF THE DANCE SUCKS,

73
00:04:00,050 --> 00:04:02,590
WE CAN ALWAYS DO
THE CROSSWORD.

74
00:04:20,360 --> 00:04:23,280
WOW, YOU'RE REALLY
GETTING INTO THIS.

75
00:04:23,280 --> 00:04:27,280
( pop music playing )

76
00:04:30,750 --> 00:04:32,540
IT WILL BE.

77
00:04:36,120 --> 00:04:38,080
WHAT ARE THEY DOING?

78
00:04:38,080 --> 00:04:40,470
OKAY, EVERYONE,
GATHER ROUND.

79
00:04:40,470 --> 00:04:43,550
WE'RE ABOUT TO ANNOUNCE
YOUR PROM KING AND QUEEN.

80
00:04:43,550 --> 00:04:45,090
Bay:
OOH, EXCITING.

81
00:04:45,090 --> 00:04:47,590
LET'S SEE
WHO THE PRETTIEST,
MOST POPULAR,

82
00:04:47,590 --> 00:04:50,350
MOST SUPERFICIAL COUPLE
IN THE SCHOOL IS.

83
00:04:51,600 --> 00:04:53,980
( cheering and applause )

84
00:05:00,200 --> 00:05:01,400
THIS IS A JOKE,
RIGHT?

85
00:05:02,570 --> 00:05:04,740
- IT'S A BIG HONOR.
- YEAH, TOTALLY.

86
00:05:04,740 --> 00:05:06,200
HOW DID THIS HAPPEN?

87
00:05:11,040 --> 00:05:13,710
EMMETT, I DON'T--
I MEAN, THANK YOU,

88
00:05:13,710 --> 00:05:17,000
BUT I DON'T WANT TO BE
PROM QUEEN.

89
00:05:21,760 --> 00:05:22,920
AND I'LL BE KING.

90
00:05:25,220 --> 00:05:26,340
( cheers and applause )

91
00:05:26,340 --> 00:05:28,220
OKAY, PIPE DOWN.
PIPE DOWN, EVERYBODY.

92
00:05:33,930 --> 00:05:36,020
YEAH. NO.
YES, TOTALLY.

93
00:05:36,020 --> 00:05:39,440
WE WANT OUR TITLES.
PROM KING AND QUEEN--

94
00:05:39,440 --> 00:05:42,650
- THAT'S US.
- ( cheering and applause )

95
00:05:42,650 --> 00:05:45,570
ALL RIGHT, GET TO CLASS.
EVERYONE, GO, ALL OF YOU.

96
00:05:48,070 --> 00:05:51,160
NOW MOST GIRLS
WOULD KILL FOR THIS.

97
00:05:52,830 --> 00:05:54,700
WHAT'S THIS
ABOUT CHIP COTO?

98
00:05:54,700 --> 00:05:56,410
WHAT KIND OF MESSAGE
ARE YOU SENDING, WORKING
WITH THAT SON OF A BITCH?

99
00:05:56,410 --> 00:05:59,090
IT WASN'T MY CALL.
IT WAS WES'.

100
00:05:59,090 --> 00:06:01,760
BUT THERE IS NO EAST RIVERSIDE
PROJECT WITHOUT COTO.

101
00:06:01,760 --> 00:06:03,670
OH, SO THE PROJECT IS MORE
IMPORTANT THAN OUR DAUGHTER?

102
00:06:03,670 --> 00:06:06,760
I AM SURE REGINA
DIDN'T REALIZE

103
00:06:06,760 --> 00:06:09,100
THIS WAS GONNA SET DAPHNE OFF
LIKE THIS.

104
00:06:09,100 --> 00:06:10,310
YEAH, WELL,
IT SET ME OFF.

105
00:06:10,310 --> 00:06:12,600
JOHN, DAPHNE IS
IN TROUBLE.

106
00:06:12,600 --> 00:06:14,140
WE HAVE TO ALL BE
ON THE SAME PAGE HERE.

107
00:06:14,140 --> 00:06:16,350
I KNOW. I KNOW.

108
00:06:18,690 --> 00:06:20,230
I'M SURE YOU NEED
TO GET TO WORK.

109
00:06:20,230 --> 00:06:21,730
WORK CAN WAIT.

110
00:06:21,730 --> 00:06:23,230
DAPHNE'S IN SCHOOL.

111
00:06:23,230 --> 00:06:26,150
JUST TAKE A FEW HOURS
FOR YOURSELF.

112
00:06:26,150 --> 00:06:27,280
SHE'S RIGHT.

113
00:06:27,280 --> 00:06:28,870
WE CAN REGROUP LATER,
MAKE A PLAN.

114
00:06:30,490 --> 00:06:31,790
OKAY.

115
00:06:39,170 --> 00:06:41,710
I THINK DAPHNE SHOULD
SEE A THERAPIST.

116
00:06:41,710 --> 00:06:43,040
WHAT?

117
00:06:43,040 --> 00:06:45,090
WALLOWING IN THIS IS NOT
GONNA HELP HER RIGHT NOW.

118
00:06:45,090 --> 00:06:48,760
THERAPY IS NOT WALLOWING.
IT'S EMOTIONAL SUPPORT.

119
00:06:48,760 --> 00:06:51,050
SHE NEEDS TIME TO WORK
THROUGH ALL THIS.

120
00:06:51,050 --> 00:06:52,640
OKAY, MAYBE,

121
00:06:52,640 --> 00:06:54,640
BUT SHE IS GRADUATING
IN A COUPLE OF WEEKS,

122
00:06:54,640 --> 00:06:55,640
AND SHE HASN'T EVEN DECIDED

123
00:06:55,640 --> 00:06:57,510
WHICH COLLEGE
SHE'S GOING TO YET.

124
00:06:57,510 --> 00:06:59,320
SHE NEEDS TO TAKE
CONTROL OF HER LIFE

125
00:06:59,320 --> 00:07:00,940
AND FOCUS ON THE FUTURE.

126
00:07:00,940 --> 00:07:04,650
I REALLY FEEL
THAT IS THE BEST WAY
FOR HER TO MOVE ON.

127
00:07:10,030 --> 00:07:11,120
( sighs )

128
00:07:11,120 --> 00:07:14,450
- DAPHNE.
- HEY, DR. J.

129
00:07:14,450 --> 00:07:16,870
I WAS SO SORRY
TO HEAR ABOUT ANGELO.

130
00:07:16,870 --> 00:07:18,790
HE SEEMED LIKE
A REALLY GOOD MAN.

131
00:07:18,790 --> 00:07:20,250
THANKS.

132
00:07:20,250 --> 00:07:22,250
WE WEREN'T EXPECTING YOU
BACK SO SOON.

133
00:07:22,250 --> 00:07:23,920
I'M FINE.

134
00:07:23,920 --> 00:07:26,130
IF ANYTHING, I COULD USE
THE DISTRACTION.

135
00:07:26,130 --> 00:07:27,630
YOU KNOW,
WHEN MY WIFE DIED,

136
00:07:27,630 --> 00:07:29,760
EVERYTHING SEEMED
TO REMIND ME OF HER.

137
00:07:29,760 --> 00:07:31,350
I DON'T KNOW IF IT'S
THE SAME WITH YOUR DAD--

138
00:07:31,350 --> 00:07:33,140
I'M FINE, REALLY.

139
00:07:33,140 --> 00:07:34,800
I SHOULD GET TO WORK.

140
00:07:41,020 --> 00:07:42,650
HEY, YOUR HIGHNESS.

141
00:07:42,650 --> 00:07:45,730
NOT SURE-- SHOULD I BOW
OR CURTSEY?

142
00:07:45,730 --> 00:07:47,810
THERE WAS OBVIOUSLY
LOW VOTER TURNOUT.

143
00:07:47,810 --> 00:07:49,660
TRUST ME, THERE ARE
SOME GIRLS AT BUCKNER

144
00:07:49,660 --> 00:07:51,820
WHO ARE PROBABLY DYING OF
LAUGHTER RIGHT ABOUT NOW.

145
00:07:51,820 --> 00:07:53,740
HEY, IF YOU CAN'T BEAT 'EM,
JOIN 'EM.

146
00:07:53,740 --> 00:07:56,200
- YOU GOT A PROM DATE?
- NO. IT'S COOL.

147
00:07:56,200 --> 00:07:57,910
I'D RATHER
GO SOLO ANYWAY,

148
00:07:57,910 --> 00:08:00,750
SO I CAN DANCE MY
BOOTY OFF.

149
00:08:00,750 --> 00:08:02,120
IS IT TRUE
DAPHNE'S NOT COMING?

150
00:08:02,120 --> 00:08:04,620
YEAH, SHE'S FACING
MAJOR GROUNDAGE.

151
00:08:04,620 --> 00:08:06,080
THAT SUCKS.

152
00:08:06,080 --> 00:08:08,120
WELL, SEE YOU
AT THE CORONATION.

153
00:08:28,650 --> 00:08:30,650
WHAT EMAIL?

154
00:08:43,120 --> 00:08:44,080
WHAT?

155
00:08:47,080 --> 00:08:48,420
IT'S ARCHAIC.

156
00:08:48,420 --> 00:08:51,430
PEOPLE SHOULD BE ABLE TO
WEAR WHATEVER THEY WANT.

157
00:08:58,130 --> 00:09:00,810
I HAVEN'T WORN A DRESS
SINCE I WAS TWO.

158
00:09:03,520 --> 00:09:05,680
THAT'S LIKE ASKING YOU
TO WEAR A TUTU.

159
00:09:05,680 --> 00:09:07,180
I'D FEEL STUPID.

160
00:09:12,690 --> 00:09:14,070
WHAT DOES THIS MEAN?

161
00:09:25,000 --> 00:09:26,000
NATALIE, WAIT.

162
00:09:42,640 --> 00:09:45,020
NEED SOME HELP HERE!
NEED SOME HELP HERE!

163
00:09:45,020 --> 00:09:47,270
WAIT, NO, NO, NO, NO.
WE'RE NOT AN URGENT CARE.

164
00:09:47,270 --> 00:09:48,900
HE'S BLEEDING.

165
00:09:48,900 --> 00:09:50,280
DR. J.!

166
00:09:50,280 --> 00:09:51,990
- WHAT HAPPENED?
- HE BLEW THROUGH
A RED LIGHT.

167
00:09:51,990 --> 00:09:53,780
I HAD TO SWERVE
TO AVOID HITTING HIM.

168
00:09:53,780 --> 00:09:55,230
HE LAID HIS BIKE DOWN
PRETTY HARD.

169
00:09:55,230 --> 00:09:56,820
SOMEONE CALL 911.

170
00:09:56,820 --> 00:09:59,000
- AND GET ME SOME GAUZE.
- Man: RIGHT AWAY.

171
00:09:59,000 --> 00:10:01,120
- ARE YOU HURT ANYWHERE ELSE?
- I DON'T THINK SO.

172
00:10:01,120 --> 00:10:04,000
THE WOUND'S PRETTY DEEP.
YOU HAD A TETANUS SHOT
IN THE PAST 10 YEARS?

173
00:10:04,000 --> 00:10:06,120
- Victim: NO.
- Dr. J: DAPHNE.

174
00:10:06,120 --> 00:10:08,290
DAPHNE. DAPHNE!

175
00:10:08,290 --> 00:10:10,960
GO TO THE DRUG LOCKUP,
GET ME A TETANUS VIAL
AND A SYRINGE.

176
00:10:40,620 --> 00:10:44,200
NO, OF COURSE I'M THRILLED.
I'M JUST NOT THAT EXCITABLE.

177
00:10:44,200 --> 00:10:46,740
HEY, LET ME KNOW ONCE YOU
HEAR FROM THE BANK, OKAY?

178
00:10:46,740 --> 00:10:47,950
MAHALO.

179
00:10:47,950 --> 00:10:50,550
HI.

180
00:10:50,550 --> 00:10:52,630
HI. GOOD NEWS?

181
00:10:52,630 --> 00:10:55,050
YEAH, WE'RE
PUTTING TOGETHER
A PROJECT IN MAUI.

182
00:10:55,050 --> 00:10:56,460
HAWAII?

183
00:10:56,460 --> 00:10:57,710
LUCKY YOU.

184
00:10:57,710 --> 00:11:00,390
YOU HAVE
THE TILE SAMPLES TOO?

185
00:11:00,390 --> 00:11:02,600
UH, YEAH, SOMEWHERE.

186
00:11:04,100 --> 00:11:06,300
WHERE'S THE FOOD COURT
INTERIOR?

187
00:11:06,300 --> 00:11:07,640
IT'S NOT THERE?

188
00:11:07,640 --> 00:11:11,230
NO, JUST THE ENTRY
AND THE RESTROOMS.

189
00:11:11,230 --> 00:11:13,810
OH, I MUST'VE LEFT IT
ON THE KITCHEN TABLE,

190
00:11:13,810 --> 00:11:15,650
RIGHT NEXT TO
THE TILE SAMPLES.

191
00:11:15,650 --> 00:11:18,150
I'M SO SORRY.
I-- I WILL GO GET IT.

192
00:11:18,150 --> 00:11:21,580
NO NO NO NO.
HEY HEY, IT'S OKAY.

193
00:11:21,580 --> 00:11:24,530
IS EVERYTHING
ALL RIGHT?

194
00:11:24,530 --> 00:11:26,200
IT'S-- IT'S DAPHNE.

195
00:11:26,200 --> 00:11:28,620
WE'RE STILL
HAVING ISSUES.

196
00:11:28,620 --> 00:11:32,130
BUT THAT'S HOME,
AND THIS IS WORK.

197
00:11:32,130 --> 00:11:34,590
LOOK, I'M NOT
CRITICIZING.

198
00:11:34,590 --> 00:11:37,540
IT MUST BE HARD
BEING A SINGLE PARENT
ALL THESE YEARS.

199
00:11:37,540 --> 00:11:39,800
I MEAN, I KNOW
I COULDN'T DO IT.

200
00:11:39,800 --> 00:11:44,340
THANKS, BUT I'M NOT DOING
A VERY GOOD JOB OF IT
RIGHT NOW.

201
00:11:44,340 --> 00:11:46,600
OH, NO, NO.
YOU'RE JUST--
YOU'RE HAVING A BAD DAY.

202
00:11:46,600 --> 00:11:48,680
YOU NEED
TO SHAKE IT OFF.

203
00:11:48,680 --> 00:11:50,350
YOU WANT AN ICED COFFEE,
A FROZEN YOGURT?

204
00:11:50,350 --> 00:11:52,560
I CAN SEND JESS
TO GET US ANYTHING.

205
00:11:52,560 --> 00:11:54,690
I'M-- I'M OKAY.

206
00:11:58,950 --> 00:12:01,280
I GOT SOME GOOD NEWS
THAT MIGHT CHEER YOU UP.

207
00:12:03,700 --> 00:12:06,410
MY SECURITY TEAM LOCATED
AN A.T.M. CAMERA

208
00:12:06,410 --> 00:12:07,780
ACROSS THE STREET
FROM THE PROJECT.

209
00:12:07,780 --> 00:12:09,790
THERE'S FOOTAGE
FROM THE NIGHT WE GOT
VANDALIZED.

210
00:12:09,790 --> 00:12:12,210
- DO THEY KNOW WHO DID IT?
- WELL, THEY'RE WORKING ON IT.

211
00:12:12,210 --> 00:12:14,580
WITH TECHNOLOGY THESE DAYS,
I LIKE OUR CHANCES.

212
00:12:14,580 --> 00:12:17,960
YOU'RE RIGHT.
THAT DOES HELP.

213
00:12:19,430 --> 00:12:20,880
WE'RE GONNA GET
THESE GUYS.

214
00:12:36,730 --> 00:12:37,810
HEY.

215
00:12:44,030 --> 00:12:45,740
IT'S REALLY SWEET.

216
00:13:06,680 --> 00:13:07,970
I'M SORRY, NATALIE.

217
00:13:42,220 --> 00:13:44,590
HONEY. HI.

218
00:13:44,590 --> 00:13:47,090
HEY. HEY, KATHRYN.

219
00:13:47,090 --> 00:13:49,680
- HOW WAS THE CLINIC?
- IT WAS FINE.

220
00:13:49,680 --> 00:13:52,430
- WAS IT NICE TO BE BACK?
- IT'S WORK.

221
00:13:52,430 --> 00:13:54,600
WAIT.

222
00:13:54,600 --> 00:13:56,850
I WANT TO TALK TO YOU
ABOUT NEXT YEAR.

223
00:13:56,850 --> 00:13:59,650
YOU HAVE GALLAUDET
WAITING FOR AN ANSWER.

224
00:13:59,650 --> 00:14:02,070
WHAT ABOUT NORTHWESTERN?

225
00:14:02,070 --> 00:14:05,530
WHEN ARE YOU GONNA HEAR
FROM THEM?

226
00:14:05,530 --> 00:14:06,860
I WON'T BE.

227
00:14:06,860 --> 00:14:08,610
WHY NOT?

228
00:14:08,610 --> 00:14:10,790
BECAUSE I NEVER APPLIED.

229
00:14:10,790 --> 00:14:13,120
I THOUGHT IT WAS
YOUR DREAM SCHOOL.

230
00:14:13,120 --> 00:14:14,910
WHAT ABOUT THEIR
PRE-MED PROGRAM?

231
00:14:14,910 --> 00:14:16,910
I CHANGED MY MIND.

232
00:14:16,910 --> 00:14:18,540
DAPHNE--

233
00:14:23,840 --> 00:14:27,050
YES, I MIX MY OWN STUFF,
BUT I ALSO, YOU KNOW,
TAKE REQUESTS--

234
00:14:27,050 --> 00:14:28,670
WHATEVER THE PEOPLE WANT,
YOU KNOW?

235
00:14:28,670 --> 00:14:32,310
ASK AND YE SHALL
RECEIVE, RIGHT?

236
00:14:32,310 --> 00:14:34,930
OKAY, WAIT.
LET ME AT LEAST
SEND YOU MY DEMO TAPE.

237
00:14:34,930 --> 00:14:37,010
WAIT-- HELLO?

238
00:14:38,980 --> 00:14:41,780
'SUP, SKRILLEX JUNIOR?

239
00:14:41,780 --> 00:14:44,980
I JUST GOT REJECTED
FOR A PRE-PROM PARTY
AT THE DISCO BOWL

240
00:14:44,980 --> 00:14:47,110
'CAUSE I DON'T HAVE
ENOUGH EXPERIENCE.

241
00:14:47,110 --> 00:14:48,480
SUCKS, DUDE.

242
00:14:48,480 --> 00:14:50,330
YEAH, YOU KNOW,
IT'S THAT OLD THING--

243
00:14:50,330 --> 00:14:52,530
YOU NEED A GOOD GIG
TO GET A GOOD GIG.

244
00:14:52,530 --> 00:14:54,950
I HAVE TO FIGURE OUT A WAY
TO GET MY NAME OUT THERE.

245
00:14:54,950 --> 00:14:58,290
CRAZY IDEA-- FLYERS.

246
00:14:58,290 --> 00:15:01,500
PAPER? HAVE YOU
LOST YOUR MIND?!

247
00:15:01,500 --> 00:15:03,090
WELL, NO, HEAR ME OUT.

248
00:15:03,090 --> 00:15:05,250
I READ THAT LOOKING AT STUFF
JUST ON SCREENS

249
00:15:05,250 --> 00:15:07,380
ACTUALLY INHIBITS
READING COMPREHENSION.

250
00:15:07,380 --> 00:15:09,390
NOW PARCHMENT--
THAT'S WHAT YOU NEED.

251
00:15:09,390 --> 00:15:12,470
YOU KNOW, THERE'S ACTIVITY
BOARDS ALL OVER CAMPUS.
WE COULD PAPER THEM.

252
00:15:12,470 --> 00:15:14,550
OKAY.

253
00:15:14,550 --> 00:15:17,350
I MEAN, I'M SURE I CAN
THROW SOMETHING TOGETHER.

254
00:15:17,350 --> 00:15:20,270
CLIP ART IS STILL
A THING, RIGHT?

255
00:15:20,270 --> 00:15:22,060
NO NO NO NO.
HANG ON.

256
00:15:22,060 --> 00:15:24,440
I, MY FRIEND,
AM IN ART CLASS.

257
00:15:24,440 --> 00:15:27,150
I WILL DRAW YOU
YOUR VERY OWN KILLER LOGO.

258
00:15:27,150 --> 00:15:29,660
ARE YOU SURE?
I MEAN, THAT SOUNDS
LIKE A LOT OF WORK.

259
00:15:29,660 --> 00:15:32,620
NAH, IT'D BE MY PLEASURE.
WHAT ARE YOUR FEELINGS
ON DRAGONS?

260
00:15:32,620 --> 00:15:34,620
'CAUSE I'VE GOTTEN
REALLY GOOD AT THOSE.

261
00:15:34,620 --> 00:15:36,370
AWESOME.
THANK YOU VERY MUCH.

262
00:16:09,410 --> 00:16:12,070
( garbage disposal whirrs )

263
00:16:19,210 --> 00:16:21,790
ARE YOU COMING OUT,
OR DO I HAVE TO
COME IN THERE?

264
00:16:21,790 --> 00:16:24,620
( door closes )

265
00:16:24,620 --> 00:16:26,620
( Regina gasps )

266
00:16:31,760 --> 00:16:33,680
I LOVE IT.

267
00:16:33,680 --> 00:16:36,050
THANKS. ME TOO.

268
00:16:40,690 --> 00:16:42,520
I HAVE TO ADMIT,
WHEN I FIRST FOUND OUT

269
00:16:42,520 --> 00:16:45,100
I WAS PROM QUEEN,
I WAS PRETTY FREAKED.

270
00:16:45,100 --> 00:16:46,900
AND NOW?

271
00:16:46,900 --> 00:16:48,520
HONESTLY?

272
00:16:48,520 --> 00:16:51,610
I'M KIND OF EXCITED.
DOES THAT MAKE ME SHALLOW?

273
00:16:51,610 --> 00:16:53,610
NOT AT ALL.

274
00:16:53,610 --> 00:16:56,030
I HAD THE BEST TIME
AT MY SENIOR PROM,

275
00:16:56,030 --> 00:16:58,360
THE CORSAGE, THE PHOTOS--
EVERYTHING.

276
00:16:58,360 --> 00:17:00,290
IT'S TIMELESS.
STEP UP.

277
00:17:06,620 --> 00:17:08,710
THANKS FOR DOING THIS.

278
00:17:08,710 --> 00:17:10,720
OF COURSE.

279
00:17:10,720 --> 00:17:15,430
I KNOW WE'VE HAD
A LOT GOING ON LATELY
WITH DAPHNE,

280
00:17:15,430 --> 00:17:18,430
BUT YOU DESERVE
A SPECIAL NIGHT.

281
00:17:19,730 --> 00:17:22,440
EVERY KID DESERVES
A GREAT PROM.

282
00:17:26,560 --> 00:17:29,060
SO THEY MADE THIS
POLICY AT SCHOOL

283
00:17:29,060 --> 00:17:31,530
THAT GIRLS HAVE TO
DRESS LIKE GIRLS

284
00:17:31,530 --> 00:17:33,400
AND BOYS HAVE TO DRESS
LIKE BOYS,

285
00:17:33,400 --> 00:17:35,820
WHATEVER THAT MEANS.
OTHERWISE THEY CAN'T
GO IN.

286
00:17:35,820 --> 00:17:38,400
REALLY?
IN THIS DAY AND AGE?

287
00:17:38,400 --> 00:17:41,410
AND MY FRIEND NATALIE
WANTED TO GO WITH HER
GIRLFRIEND HILARY,

288
00:17:41,410 --> 00:17:43,460
WHO DRESSES LIKE A BOY.

289
00:17:43,460 --> 00:17:45,330
SHE WON'T WEAR A DRESS,
LIKE, EVER.

290
00:17:45,330 --> 00:17:47,200
SO THEY'RE NOT
GONNA GO?

291
00:17:47,200 --> 00:17:49,130
NOPE.

292
00:17:49,130 --> 00:17:51,010
WHICH MAKES ME FEEL
SUPER GUILTY,

293
00:17:51,010 --> 00:17:54,590
BECAUSE I HAVE, LIKE,
THIS PRIVILEGE OF GOING IN
IN WHAT I WANT TO WEAR.

294
00:17:54,590 --> 00:17:57,210
I DON'T HAVE TO
FIGHT FOR MY RIGHT
TO BE WHO I AM.

295
00:18:00,060 --> 00:18:03,640
THAT WAS ONE THING
ABOUT ANGELO--

296
00:18:03,640 --> 00:18:06,600
HE COULDN'T STAND
PEOPLE BEING CRUEL
TO OTHERS.

297
00:18:06,600 --> 00:18:09,610
HE ALWAYS STOOD UP
FOR THE UNDERDOG.

298
00:18:13,190 --> 00:18:15,110
WELL, HILARY TRIED.

299
00:18:15,110 --> 00:18:17,110
SHE GOT A BUNCH OF PEOPLE
TO SIGN A PETITION,

300
00:18:17,110 --> 00:18:20,700
BUT PRINCIPAL ROSE SAID
THAT THERE WAS NOTHING
SHE COULD DO ABOUT IT.

301
00:18:20,700 --> 00:18:22,540
THE DRESS CODE COMES
FROM THE SCHOOL DISTRICT.

302
00:18:22,540 --> 00:18:25,620
WHAT IF THE QUEEN HAS
SOMETHING TO SAY ABOUT IT?

303
00:18:25,620 --> 00:18:28,160
I'M PROM QUEEN,
NOT THE QUEEN OF ENGLAND.

304
00:18:28,160 --> 00:18:31,300
STILL, A PUBLIC FIGURE
OF SORTS.

305
00:18:31,300 --> 00:18:33,800
THE BEST LEADERS
LEAD BY EXAMPLE.

306
00:18:49,140 --> 00:18:50,730
THERE YOU ARE.

307
00:18:52,570 --> 00:18:54,480
IS EVERYTHING OKAY?

308
00:18:54,480 --> 00:18:57,190
THE DRUG LOCKUP
CAME UP SHORT YESTERDAY.

309
00:18:57,190 --> 00:18:59,910
A BOTTLE OF OXYCODONE
IS MISSING.

310
00:18:59,910 --> 00:19:01,700
OH?

311
00:19:01,700 --> 00:19:04,660
TURNS OUT THE ONLY PEOPLE
WHO HAD ACCESS TO IT
WERE YOU AND ME.

312
00:19:04,660 --> 00:19:06,990
SOMEONE MUST HAVE
MISCOUNTED.

313
00:19:06,990 --> 00:19:08,540
THAT'S DOUBTFUL.

314
00:19:08,540 --> 00:19:10,790
WE'RE REQUIRED BY LAW
TO KEEP STRICT RECORDS

315
00:19:10,790 --> 00:19:12,920
OF ALL DISPENSED
CONTROLLED SUBSTANCES.

316
00:19:12,920 --> 00:19:16,210
NO OXYCODONE WAS
PRESCRIBED YESTERDAY,
NOR THE DAY BEFORE.

317
00:19:18,050 --> 00:19:20,350
DID YOU TAKE IT?

318
00:19:26,300 --> 00:19:29,100
I DID.
AND I'M SO SORRY.

319
00:19:29,100 --> 00:19:30,810
I KNOW IT WAS
A STUPID THING TO DO.

320
00:19:30,810 --> 00:19:32,020
I'M SO SORRY.

321
00:19:32,020 --> 00:19:33,190
WHY?

322
00:19:33,190 --> 00:19:35,810
I-- I DON'T KNOW.

323
00:19:35,810 --> 00:19:39,620
I DIDN'T EVEN WANT THEM.
I JUST--

324
00:19:39,620 --> 00:19:41,620
I GOT FREAKED OUT

325
00:19:41,620 --> 00:19:43,620
BY THAT GUY
FROM THE ACCIDENT,

326
00:19:43,620 --> 00:19:46,200
AND WHEN I SAW
THE PILLS--

327
00:19:47,620 --> 00:19:49,880
I FLUSHED THEM
DOWN THE SINK

328
00:19:49,880 --> 00:19:52,130
AS SOON AS I GOT HOME,
I SWEAR.

329
00:19:54,210 --> 00:19:56,210
I'M PARTLY TO BLAME.

330
00:19:56,210 --> 00:19:58,170
I BROKE PROTOCOL
BY GIVING YOU THE KEYS.

331
00:19:58,170 --> 00:20:00,930
I WILL NEVER DO ANYTHING
LIKE THAT AGAIN...

332
00:20:02,510 --> 00:20:03,800
EVER.

333
00:20:03,800 --> 00:20:05,720
I KNOW YOU'RE GOING
THROUGH A LOT RIGHT NOW,

334
00:20:05,720 --> 00:20:08,800
AND I EMPATHIZE,
BUT I CAN'T TOLERATE
STEALING.

335
00:20:08,800 --> 00:20:12,060
- I KNOW.
- I HAVE TO LET YOU GO.

336
00:20:14,850 --> 00:20:18,020
PLEASE, JUST GIVE ME
ANOTHER CHANCE.

337
00:20:18,020 --> 00:20:20,160
I'LL MAKE IT UP TO YOU.
I'LL WORK EXTRA SHIFTS--

338
00:20:20,160 --> 00:20:22,410
ANYTHING.

339
00:20:22,410 --> 00:20:24,820
YOU CROSSED A LINE.

340
00:20:43,140 --> 00:20:44,550
( exhales deeply )

341
00:20:52,060 --> 00:20:54,730
( tower bells tolling )

342
00:21:03,820 --> 00:21:06,280
PAPERBOY!

343
00:21:06,280 --> 00:21:07,740
YOUR FLYERS
ARE WORKING MAGIC.

344
00:21:07,740 --> 00:21:10,370
- OH, YEAH?
- YEAH, I JUST GOT A CALL
FROM A FRAT.

345
00:21:10,370 --> 00:21:12,960
THEIR D.J. FOR THEIR YEAR-END
TOGA BARBECUE JUST BAILED.

346
00:21:12,960 --> 00:21:14,500
THEY SAW MY NUMBER
IN THE STUDENT CENTER--

347
00:21:14,500 --> 00:21:16,870
BOOM! 200 BUCKS
FOR THE AFTERNOON.

348
00:21:16,870 --> 00:21:18,960
THAT'S GREAT, MAN.
WHICH FRAT?

349
00:21:18,960 --> 00:21:21,720
UH, OMEGA PI? TI?

350
00:21:21,720 --> 00:21:23,090
PSI?

351
00:21:23,090 --> 00:21:25,260
YES.

352
00:21:25,260 --> 00:21:27,970
OH, DUDE,
WAS THAT YOUR--?

353
00:21:27,970 --> 00:21:29,050
YEAH.

354
00:21:29,050 --> 00:21:31,560
OH. WELL...

355
00:21:31,560 --> 00:21:34,190
THOSE GUYS ARE
TOTAL ASSHATS.

356
00:21:34,190 --> 00:21:37,270
TRUST ME, IF YOU DO
THEIR PARTY, YOU'RE GONNA
END UP ARRESTED,

357
00:21:37,270 --> 00:21:39,190
OR WITH ALCOHOL
POISONING, OR BOTH.

358
00:21:39,190 --> 00:21:41,150
THEY SEEMED PRETTY NICE
ON THE PHONE.

359
00:21:41,150 --> 00:21:42,900
TOBY, THEY'RE JERKS.

360
00:21:42,900 --> 00:21:44,900
IT'S REALLY GOOD MONEY
AND I NEED THE EXPOSURE.

361
00:21:44,900 --> 00:21:48,070
- COME ON,
YOU GOTTA GET THIS.
- NO, I DON'T.

362
00:21:48,070 --> 00:21:49,790
I WOULDN'T EXPECT YOU
TO DROP A JOB

363
00:21:49,790 --> 00:21:51,910
JUST BECAUSE
I DIDN'T LIKE THE GUY.

364
00:21:51,910 --> 00:21:54,080
DUDE, IT'S A JOB.

365
00:21:55,410 --> 00:21:58,210
FINE.
DO WHAT YOU WANT.

366
00:21:58,210 --> 00:22:00,590
IT'S NOT LIKE
WE'RE FRIENDS.
WE'RE JUST ROOMMATES.

367
00:22:00,590 --> 00:22:02,420
I CAN'T EXPECT YOU
TO HAVE MY BACK.

368
00:22:03,840 --> 00:22:05,550
THERE'S THAT.

369
00:22:09,430 --> 00:22:11,890
Wes:
TWO PUNKS.
THIS IS THE ONLY FRAME

370
00:22:11,890 --> 00:22:13,970
THAT SHOWED ANY
IDENTIFYING FEATURES.

371
00:22:13,970 --> 00:22:15,680
IT'S FROM THE ENTRANCE,
WHERE THEY BROKE IN,

372
00:22:15,680 --> 00:22:17,680
BUT THERE'S NOTHING
FROM THE SITE.

373
00:22:17,680 --> 00:22:22,280
SO MUCH FOR TECHNOLOGY.

374
00:22:22,280 --> 00:22:23,860
WHAT, DO YOU KNOW HIM?

375
00:22:23,860 --> 00:22:25,440
UM, I'M NOT SURE.

376
00:22:25,440 --> 00:22:27,240
WELL, HAVE YOU
SEEN HIM BEFORE?

377
00:22:27,240 --> 00:22:29,490
MAYBE,

378
00:22:29,490 --> 00:22:31,290
AROUND THE OLD
NEIGHBORHOOD,

379
00:22:31,290 --> 00:22:33,080
IF IT'S WHO
I'M THINKING OF.

380
00:22:33,080 --> 00:22:35,910
WELL, WHAT'S HIS NAME?
I'LL TELL THE COPS WHEN
I SHOW THEM THIS.

381
00:22:35,910 --> 00:22:38,160
I'M NOT EVEN SURE
IT'S THE SAME KID.

382
00:22:38,160 --> 00:22:41,170
WELL, LET THE COPS
RATTLE A FEW CAGES
AND SEE WHAT SHAKES OUT.

383
00:22:41,170 --> 00:22:44,590
I'M NOT GONNA GIVE THE POLICE
AN EXCUSE TO ROUGH UP
INNOCENT PEOPLE.

384
00:22:44,590 --> 00:22:46,760
I THOUGHT YOU WANTED
TO CATCH THIS PUNK.

385
00:22:46,760 --> 00:22:48,760
THE RIGHT PUNK.

386
00:22:48,760 --> 00:22:50,770
LOOK, LET ME ASK AROUND,

387
00:22:50,770 --> 00:22:54,510
SEE WHAT I CAN FIND OUT
BEFORE YOU SIC THE POLICE
ON HIM.

388
00:22:54,510 --> 00:22:58,010
I WANT TO SEE THIS GUY
AND HIS BUDDY BEHIND BARS.

389
00:22:59,060 --> 00:23:00,820
ME TOO.

390
00:23:06,070 --> 00:23:08,110
Kathryn:
READY WHEN YOU ARE!

391
00:23:08,110 --> 00:23:10,870
OH, OKAY.
THANK YOU.

392
00:23:10,870 --> 00:23:12,450
THERE YOU GO.
LOOK AT THAT.

393
00:23:12,450 --> 00:23:14,740
APPRECIATE THE SHEET, MOM.
I'M GONNA HEAD OUT.

394
00:23:14,740 --> 00:23:17,080
NO NO NO,
YOU'RE NOT GOING ANYWHERE,
JULIUS CAESAR.

395
00:23:17,080 --> 00:23:18,790
YOUR SISTER'S COMING.

396
00:23:18,790 --> 00:23:20,210
OKAY.

397
00:23:20,210 --> 00:23:22,000
Bay:
OKAY, I'M COMING DOWN.

398
00:23:22,000 --> 00:23:25,000
OKAY, OKAY, OKAY, ALL RIGHT,
HERE IS MY LITTLE GIRL,

399
00:23:25,000 --> 00:23:28,170
READY FOR HER
SENIOR PROM.

400
00:23:42,770 --> 00:23:45,060
HEY, GUYS.

401
00:23:45,060 --> 00:23:48,400
WOW, THAT'S FUN.

402
00:23:48,400 --> 00:23:51,030
INTERESTING
FASHION STATEMENT.

403
00:23:51,030 --> 00:23:53,780
NATALIE AND HER GIRLFRIEND
WERE TOLD

404
00:23:53,780 --> 00:23:56,120
THAT THEY COULDN'T
WEAR TUXES,

405
00:23:56,120 --> 00:23:59,200
SO WE'RE DOING THIS
IN SOLIDARITY.

406
00:24:03,000 --> 00:24:05,420
ANGELO WOULD HAVE BEEN
PROUD.

407
00:24:07,920 --> 00:24:09,970
HAVE A GREAT NIGHT.

408
00:24:11,390 --> 00:24:14,090
YOU LOOK BEAUTIFUL.

409
00:24:14,090 --> 00:24:15,720
I HAVE TO GO TALK
TO DAPHNE.

410
00:24:15,720 --> 00:24:17,850
- YOU NEED ME?
- NO, I GOT THIS.

411
00:24:25,690 --> 00:24:28,690
LIKE I'M TAKING A STAND
AGAINST REPRESSIVE
GENDER POLICIES?

412
00:24:32,780 --> 00:24:36,160
WELL, YOU LOOK AMAZING.

413
00:24:36,160 --> 00:24:37,240
( pop music playing )

414
00:24:37,240 --> 00:24:38,450
( knocks on door )

415
00:24:40,790 --> 00:24:42,670
OH, HI!

416
00:24:42,670 --> 00:24:44,500
WOW, YOU GUYS
LOOK AMAZING.

417
00:24:44,500 --> 00:24:46,920
COME ON IN. YEAH.

418
00:24:48,080 --> 00:24:50,090
YOU GUYS LOOK FANTASTIC.

419
00:24:50,090 --> 00:24:53,590
MOM, DAD, TOBY,
THIS IS NATALIE AND HILARY.

420
00:24:53,590 --> 00:24:54,890
HEY.

421
00:24:54,890 --> 00:24:57,090
NICE TO MEET YOU, HEY.

422
00:24:57,090 --> 00:25:00,140
( doorbell rings )

423
00:25:00,140 --> 00:25:02,520
HEY. WELL,
LOOK AT YOU GUYS.
VERY NICE.

424
00:25:02,520 --> 00:25:04,100
- PLEASE COME ON IN.
- AWESOME.

425
00:25:04,100 --> 00:25:06,100
- YEAH.
- HAPPY PROM.

426
00:25:13,240 --> 00:25:16,030
YOU MUST BE SO PROUD
OF YOUR SISTER.

427
00:25:17,490 --> 00:25:19,620
SHE'S BEING
A REALLY GOOD FRIEND.

428
00:25:19,620 --> 00:25:21,920
I'D BETTER...

429
00:25:21,920 --> 00:25:24,460
HAVE A GOOD TIME,
EVERYBODY. BYE.

430
00:25:25,710 --> 00:25:28,120
THE PROM POSE.
THE AWKWARD PROM POSE.

431
00:25:28,120 --> 00:25:29,080
♪ ...THERE AIN'T NOTHIN'
TO IT ♪

432
00:25:29,080 --> 00:25:30,970
♪ GIVE ME SOME MORE ♪

433
00:25:30,970 --> 00:25:33,170
♪ BABY, I WILL BLOW YOUR MIND ♪

434
00:25:33,170 --> 00:25:35,720
♪ OH OH OH OH OH. ♪

435
00:25:35,720 --> 00:25:37,800
IT WAS NACHO
IN THAT VIDEO,
I'M SURE OF IT.

436
00:25:37,800 --> 00:25:39,810
DID YOU KNOW
HE WAS INVOLVED?

437
00:25:42,390 --> 00:25:45,100
DID YOU KNOW
NACHO WAS RESPONSIBLE

438
00:25:45,100 --> 00:25:47,180
FOR VANDALIZING
THE EAST RIVERSIDE PROJECT?

439
00:25:50,150 --> 00:25:53,070
UNBELIEVABLE.
HOW COULD YOU KNOW
AND NOT TELL ME?

440
00:25:53,070 --> 00:25:54,950
IS HE THAT IMPORTANT
TO YOU?

441
00:25:54,950 --> 00:25:57,780
MY GOD, WHAT IS IT

442
00:25:57,780 --> 00:25:59,660
WITH YOU AND THESE
BAD BOYS--

443
00:25:59,660 --> 00:26:02,120
FIRST JEFF, THEN JACE,
AND NOW NACHO?

444
00:26:02,120 --> 00:26:03,540
I DON'T EVEN LIKE
NACHO.

445
00:26:03,540 --> 00:26:05,620
THEN WHY ON EARTH
WOULD YOU COVER FOR HIM?

446
00:26:05,620 --> 00:26:06,910
IT DOESN'T MAKE
ANY SENSE.

447
00:26:10,050 --> 00:26:12,210
UNLESS

448
00:26:12,210 --> 00:26:14,300
YOU WERE WITH HIM.

449
00:26:14,300 --> 00:26:16,210
HE WAS TALKING TO SOMEONE
IN THE VIDEO,

450
00:26:16,210 --> 00:26:18,760
BUT I COULDN'T
MAKE OUT WHO.

451
00:26:18,760 --> 00:26:21,180
PLEASE TELL ME
IT WASN'T YOU.

452
00:26:23,310 --> 00:26:24,770
OH MY GOD.

453
00:26:24,770 --> 00:26:27,770
DO YOU HAVE ANY IDEA
WHAT YOU'VE DONE,

454
00:26:27,770 --> 00:26:30,280
HOW SERIOUS THIS IS?

455
00:26:32,320 --> 00:26:35,490
YOU ARE STILL
ON PROBATION.

456
00:26:35,490 --> 00:26:37,860
ARE YOU TRYING
TO LAND IN JAIL?

457
00:26:37,860 --> 00:26:40,000
EVERYTHING THAT WE HAVE
WORKED SO HARD FOR,

458
00:26:40,000 --> 00:26:42,000
ALL THE OPPORTUNITIES
THAT YOU'VE BEEN GIVEN,

459
00:26:42,000 --> 00:26:43,410
AND YOU RISK IT ALL
FOR WHAT?

460
00:26:45,540 --> 00:26:47,330
TALK TO ME, DAMN IT.

461
00:26:47,330 --> 00:26:49,200
DO YOU REALLY HAVE
NOTHING TO SAY?

462
00:26:54,960 --> 00:26:56,420
I HAVE TO GO
TO THE CLINIC.

463
00:27:04,720 --> 00:27:06,970
( man speaking on TV )

464
00:27:06,970 --> 00:27:09,060
BACK ALREADY?

465
00:27:10,770 --> 00:27:12,900
THE PARTY ENDED
A LITTLE EARLY.

466
00:27:14,650 --> 00:27:17,570
- ( TV clicks off )
- OMEGA PSI PARTIES
NEVER END EARLY.

467
00:27:17,570 --> 00:27:20,330
WHAT HAPPENED?
YOU GET FIRED HALFWAY
THROUGH THE GIG?

468
00:27:20,330 --> 00:27:22,740
SOME GUY SET OFF
THE SPRINKLER SYSTEM
IN THE HOUSE

469
00:27:22,740 --> 00:27:24,540
BY FLAMING A MAI TAI.

470
00:27:24,540 --> 00:27:26,870
THE FIRE DEPARTMENT
SHOWED UP AND SHUT
THE PARTY DOWN.

471
00:27:26,870 --> 00:27:29,960
WELL, TOLD YOU
THEY WERE ASSHATS.

472
00:27:29,960 --> 00:27:31,960
ACTUALLY, BEFORE
THAT HAPPENED,

473
00:27:31,960 --> 00:27:33,790
EVERYTHING WAS
GOING REALLY WELL.

474
00:27:33,790 --> 00:27:36,290
THE BEER WAS GOOD.
THE GIRLS WERE HOT.

475
00:27:36,290 --> 00:27:37,880
THEY EVEN GAVE ME
EXTRA MONEY

476
00:27:37,880 --> 00:27:40,510
IN CASE THE SPRINKLERS
DAMAGED MY EQUIPMENT.

477
00:27:40,510 --> 00:27:43,640
THEY WERE ACTUALLY
GOOD GUYS.

478
00:27:43,640 --> 00:27:46,100
I'M GLAD IT WORKED OUT
FOR YOU.

479
00:27:59,740 --> 00:28:02,620
I FELT AWFUL
THE WHOLE TIME
I WAS THERE.

480
00:28:02,620 --> 00:28:04,620
I THOUGHT
YOU JUST SAID--

481
00:28:04,620 --> 00:28:06,660
I SHOULDN'T HAVE GONE.

482
00:28:06,660 --> 00:28:08,820
I KNEW IT BUGGED YOU
THAT I WENT,

483
00:28:08,820 --> 00:28:11,710
AND OUT OF PRINCIPLE,

484
00:28:11,710 --> 00:28:14,420
I SHOULD HAVE
STOOD BY YOU.

485
00:28:17,540 --> 00:28:19,670
ACTUALLY, UH...

486
00:28:19,670 --> 00:28:21,470
I WAS THINKING
YOU WERE IN THE RIGHT.

487
00:28:21,470 --> 00:28:23,720
YOU KNOW, I'M THE ONE
WHO HAS THE BEEF WITH THEM,
NOT YOU.

488
00:28:23,720 --> 00:28:27,340
IT'S LIKE, I HATE
THE BEARS, RIGHT?

489
00:28:27,340 --> 00:28:29,550
I CAN'T EXPECT YOU
TO HATE THEM JUST BECAUSE
WE'RE ROOMMATES.

490
00:28:29,550 --> 00:28:31,900
HEY, I HAVE MY OWN REASONS
FOR HATING THE BEARS.

491
00:28:31,900 --> 00:28:34,520
( chuckles )
THANKS, MAN.

492
00:28:37,350 --> 00:28:41,030
THIS IS GETTING
SERIOUSLY CLOSE TO
A BRO-HUG SITUATION.

493
00:28:41,030 --> 00:28:42,700
TELL YOU WHAT:

494
00:28:42,700 --> 00:28:45,660
THAT EXTRA $100
THEY GAVE ME IS BURNING
A HOLE IN MY TOGA.

495
00:28:45,660 --> 00:28:48,570
WHAT DO YOU SAY
WE GO DOWN TO SCRATCH,
COURTESY OF OMEGA PSI?

496
00:28:49,530 --> 00:28:51,500
I THINK IT'S
DOLLAR SLIDER NIGHT.

497
00:28:51,500 --> 00:28:54,080
100 SLIDERS
COMING RIGHT UP.

498
00:28:54,080 --> 00:28:56,000
PACE YOURSELF THERE,
D.J. T.K.

499
00:28:56,000 --> 00:28:58,750
AND MAYBE LOSE THE TOGA?

500
00:28:58,750 --> 00:29:01,090
OH, FOR SURE.

501
00:29:01,090 --> 00:29:03,090
YOUR DAUGHTER?
ARE YOU KIDDING ME?

502
00:29:03,090 --> 00:29:04,590
BELIEVE ME,
I WISH I WAS.

503
00:29:04,590 --> 00:29:06,470
DIDN'T SHE KNOW THAT
THIS WAS YOUR PROJECT?

504
00:29:06,470 --> 00:29:08,260
YES. THAT'S WHY
SHE DID IT.

505
00:29:08,260 --> 00:29:09,720
OH, THAT'S JUST GREAT--

506
00:29:09,720 --> 00:29:13,390
YOUR MOTHER-DAUGHTER WARFARE
PLAYING OUT ON MY TURF.

507
00:29:13,390 --> 00:29:15,600
I AM SURE IT WASN'T
HER IDEA.

508
00:29:15,600 --> 00:29:17,690
THAT KID MUST HAVE
TALKED HER INTO IT.

509
00:29:17,690 --> 00:29:19,230
BUT SHE WENT ALONG
WILLINGLY.

510
00:29:19,230 --> 00:29:21,240
I THOUGHT ABOUT
NOT TELLING YOU,
BUT I DID, BECAUSE--

511
00:29:21,240 --> 00:29:24,820
BECAUSE YOU DON'T WANT
ME TO PRESS CHARGES.
I'M NOT AN IDIOT.

512
00:29:24,820 --> 00:29:27,660
SHE'S ALREADY ON PROBATION
FOR THE COTO INCIDENT,

513
00:29:27,660 --> 00:29:30,120
AND IF SHE GETS
ANOTHER STRIKE, WHO KNOWS
WHAT COULD HAPPEN?

514
00:29:30,120 --> 00:29:33,410
- IT COULD RUIN COLLEGE,
HER FUTURE-- EVERYTHING.
- IT'S NOT MY FAULT.

515
00:29:33,410 --> 00:29:35,410
THIS IS THE BED
THAT SHE MADE.

516
00:29:35,410 --> 00:29:37,710
HER DAD JUST DIED.

517
00:29:37,710 --> 00:29:39,710
DOES THAT GIVE HER
THE RIGHT TO BREAK
THE LAW?

518
00:29:39,710 --> 00:29:42,920
SHE COST ME HUNDREDS
OF THOUSANDS OF DOLLARS.

519
00:29:42,920 --> 00:29:44,680
SHE FORCED US INTO BED
WITH COTO.

520
00:29:44,680 --> 00:29:46,760
THIS IS YOUR
PROJECT TOO!

521
00:29:46,760 --> 00:29:48,340
I KNOW!

522
00:29:48,340 --> 00:29:50,350
WES, PLEASE,

523
00:29:50,350 --> 00:29:52,600
IF OUR PARTNERSHIP
MEANS ANYTHING TO YOU,

524
00:29:52,600 --> 00:29:54,600
DO NOT TURN HER IN.

525
00:29:56,390 --> 00:29:58,640
YOU NEED
TO GO HOME NOW.

526
00:30:00,740 --> 00:30:01,940
WES?

527
00:30:01,940 --> 00:30:03,940
I CAN'T TALK
ABOUT THIS ANYMORE.

528
00:30:03,940 --> 00:30:05,570
JUST GO HOME.

529
00:30:16,450 --> 00:30:20,010
( pop music playing )

530
00:30:20,010 --> 00:30:21,880
♪ OH OH OH OH OH ♪

531
00:30:21,880 --> 00:30:23,670
♪ OH OH OH OH OH ♪

532
00:30:23,670 --> 00:30:25,630
♪ OH OH OH OH OH ♪

533
00:30:25,630 --> 00:30:27,340
- ♪ OH OH OH OH OH ♪
- ♪ HEY HEY HEY ♪

534
00:30:27,340 --> 00:30:29,550
♪ OH OH OH OH OH ♪

535
00:30:29,550 --> 00:30:31,270
- ♪ OH OH OH OH OH ♪
- ♪ OH, YEAH ♪

536
00:30:31,270 --> 00:30:33,270
- ♪ OH OH OH OH OH ♪
- ♪ WHOO ♪

537
00:30:33,270 --> 00:30:34,390
♪ OH OH OH OH OH... ♪

538
00:30:34,390 --> 00:30:36,180
HEY, MR. Z.

539
00:30:36,180 --> 00:30:38,020
CAN'T LET YOU IN.

540
00:30:38,020 --> 00:30:39,980
- WHY NOT?
- YOU KNOW WHY NOT.

541
00:30:39,980 --> 00:30:42,030
YOU'RE IN VIOLATION
OF THE DRESS CODE.

542
00:30:42,030 --> 00:30:44,690
THE DRESS CODE IS CRAP.
JUST LET US IN.

543
00:30:44,690 --> 00:30:47,650
GO HOME, PUT ON DRESSES,
AND I'D BE HAPPY TO.

544
00:30:47,650 --> 00:30:49,480
YOU KNOW, THIS IS
THE KIND OF THING

545
00:30:49,480 --> 00:30:51,750
PEOPLE LOVE TO SUE OVER--
DISCRIMINATION.

546
00:30:51,750 --> 00:30:55,250
THIS ISN'T ABOUT BEING
GAY OR STRAIGHT.

547
00:30:55,250 --> 00:30:57,830
LAST YEAR SOME BOYS
FROM ANOTHER SCHOOL

548
00:30:57,830 --> 00:31:00,760
PUT ON DRESSES AND WIGS
AND GOT DRUNK.

549
00:31:00,760 --> 00:31:02,380
THEY RUINED
THE ENTIRE NIGHT.

550
00:31:02,380 --> 00:31:04,380
THIS DRESS CODE
IS MEANT

551
00:31:04,380 --> 00:31:06,460
TO PREVENT
THAT SORT OF BEHAVIOR.

552
00:31:06,460 --> 00:31:08,960
THE PROBLEM WASN'T
THAT THEY WORE DRESSES.

553
00:31:08,960 --> 00:31:10,970
IT'S THAT
THEY WERE IDIOTS.

554
00:31:10,970 --> 00:31:13,680
- IT MADE A JOKE
OF THE EVENT.
- WELL, WE'RE DRESSED UP.

555
00:31:13,680 --> 00:31:15,600
WE'RE SHOWING RESPECT
FOR THE EVENT.

556
00:31:20,150 --> 00:31:22,440
YOU DON'T THINK
WE LOOK RESPECTABLE?

557
00:31:22,440 --> 00:31:25,730
PEOPLE ARE WAITING
TO GET IN, SO IF YOU
COULD JUST--?

558
00:31:26,980 --> 00:31:29,650
WHY DOES A GIRL IN A SUIT
THREATEN YOU SO MUCH, MR. Z?

559
00:31:29,650 --> 00:31:31,330
IT DOESN'T
THREATEN ME.

560
00:31:32,530 --> 00:31:34,740
WHAT, IS IT A SIN?
IS IT UNNATURAL?

561
00:31:34,740 --> 00:31:37,030
STOP PROVOKING ME.

562
00:31:37,030 --> 00:31:39,240
IT'S PROM.
YOU'RE GIRLS.

563
00:31:39,240 --> 00:31:41,040
YOU NEED TO BE
IN DRESSES.

564
00:31:41,040 --> 00:31:44,250
AND I DON'T EVEN KNOW
WHERE TO BEGIN WITH YOU.

565
00:31:44,250 --> 00:31:47,750
AND YOU TWO, YOU ARE
PROM KING AND QUEEN.

566
00:31:47,750 --> 00:31:49,840
CONSIDER YOUR POSITION
AT THIS SCHOOL.

567
00:31:49,840 --> 00:31:51,970
EXCUSE ME?
OUR POSITION?

568
00:31:51,970 --> 00:31:54,720
HOW IS WHAT WE'RE
WEARING GOING TO RUIN
ANYONE'S NIGHT?

569
00:31:54,720 --> 00:31:57,850
YOU KNOW WHAT?
I'D LOVE TO WEAR SWEATS
TO CLASS, BUT I CAN'T,

570
00:31:57,850 --> 00:31:59,390
BECAUSE IT'S NOT
APPROPRIATE.

571
00:31:59,390 --> 00:32:01,730
THERE ARE RULES
EVERYWHERE YOU GO.

572
00:32:03,400 --> 00:32:05,860
OKAY, WELL,
THIS ISN'T SLAVERY.

573
00:32:05,860 --> 00:32:08,650
OH, NOW I'M A SLAVE OWNER?
IS THAT WHAT SHE CALLED ME?

574
00:32:08,650 --> 00:32:10,780
WE'RE CALLING YOU
A FASCIST.

575
00:32:10,780 --> 00:32:14,660
RIGHT, BECAUSE YOU
DON'T LIKE THE RULES,
THAT MAKES ME A FASCIST.

576
00:32:14,660 --> 00:32:16,370
WHAT ABOUT ALL
THE KIDS IN THERE

577
00:32:16,370 --> 00:32:19,240
WHO DON'T WANT TO SEE GIRLS
DRESSING LIKE FREAKS?

578
00:32:20,250 --> 00:32:22,080
DID YOU CALL US FREAKS?

579
00:32:24,040 --> 00:32:26,580
OKAY OKAY,
THAT'S ENOUGH.

580
00:32:43,650 --> 00:32:45,060
NOT IF THEY
CAN'T GO IN.

581
00:32:49,980 --> 00:32:52,280
BECAUSE I'VE BEEN THEM,

582
00:32:52,280 --> 00:32:54,450
AT BUCKNER,
IN MY FAMILY.

583
00:32:54,450 --> 00:32:56,660
MY WHOLE LIFE
I FELT

584
00:32:56,660 --> 00:32:58,370
LIKE I WAS
ON THE OUTSIDE.

585
00:32:58,370 --> 00:33:00,830
AND THESE RULES
MAKE IT OKAY

586
00:33:00,830 --> 00:33:03,750
TO MAKE CERTAIN PEOPLE
FEEL LIKE THEY'RE WEIRD

587
00:33:03,750 --> 00:33:07,040
JUST FOR BEING
WHO THEY ARE.

588
00:33:07,040 --> 00:33:09,620
AND SOMEBODY HAS GOT
TO STAND UP FOR THEM.

589
00:33:13,890 --> 00:33:15,720
WHAT IS IT?

590
00:33:37,610 --> 00:33:40,250
THAT IS REALLY SWEET.

591
00:33:40,250 --> 00:33:43,660
BUT IF THEY CAN'T
GO IN,

592
00:33:43,660 --> 00:33:46,000
I DON'T WANT TO BE
QUEEN OF THIS PROM.

593
00:33:54,260 --> 00:33:56,260
HEY.

594
00:33:56,260 --> 00:33:57,880
SO WHAT'S THE PLAN?

595
00:34:10,490 --> 00:34:12,320
DAPHNE'S PHONE.

596
00:34:22,870 --> 00:34:26,040
HI. THIS IS
REGINA VASQUEZ--
DAPHNE'S MOM.

597
00:34:26,040 --> 00:34:28,290
CAN YOU TELL ME WHAT TIME
HER SHIFT IS OVER?

598
00:34:29,620 --> 00:34:32,710
WHAT? WHEN?

599
00:34:35,590 --> 00:34:38,550
SHE TOLD ME
SHE WENT TO THE CLINIC,
BUT I JUST CALLED THERE.

600
00:34:38,550 --> 00:34:41,220
- SHE WAS FIRED
THIS AFTERNOON.
- FIRED?

601
00:34:41,220 --> 00:34:43,720
OKAY, LET'S NOT PANIC.
ANY IDEA WHERE SHE
MIGHT HAVE GONE?

602
00:34:43,720 --> 00:34:46,310
SHE TOOK HER CAR,
BUT LEFT HER CELL PHONE
BEHIND.

603
00:34:47,600 --> 00:34:49,930
WE HAD ANOTHER
BIG FIGHT.

604
00:34:49,930 --> 00:34:52,780
AND I WAS
PRETTY HARD ON HER
AND SAID SOME THINGS.

605
00:34:52,780 --> 00:34:56,320
AND NOW SHE'S OUT THERE,
DRIVING AROUND UPSET,
JUST LIKE ANGELO WAS.

606
00:34:56,320 --> 00:34:58,030
DON'T WORRY.
WE'RE GONNA FIND HER.

607
00:35:11,210 --> 00:35:13,340
NO, SWEETIE, IT'S FINE.
JUST CALL IF SHE DOES, OKAY?

608
00:35:13,340 --> 00:35:15,670
ALL RIGHT, BYE.
BAY SAYS SHE'S NOT
AT THE PROM.

609
00:35:15,670 --> 00:35:18,590
- THAT RULES OUT CARLTON.
- I'LL TRY KandD.

610
00:35:18,590 --> 00:35:21,260
KATHRYN, CAN YOU SWING
BY THE CLINIC? MAYBE SHE
ENDED UP THERE AFTER ALL.

611
00:35:21,260 --> 00:35:22,890
YEAH. WHERE ARE
YOU GOING?

612
00:35:22,890 --> 00:35:25,310
I'M GONNA
CHECK OUT EAST RIVERSIDE,
TRY TO FIND THAT KID NACHO.

613
00:35:25,310 --> 00:35:27,310
THERE'S ALSO
ANGELO'S CONDO.

614
00:35:27,310 --> 00:35:30,690
LOOK, I'LL GO THERE.
IT'S ON THE WAY.

615
00:35:30,690 --> 00:35:32,360
ARE YOU SURE
WE SHOULDN'T CALL
THE POLICE?

616
00:35:32,360 --> 00:35:33,730
IT'S ONLY BEEN
A COUPLE OF HOURS.

617
00:35:33,730 --> 00:35:35,610
I THINK WE SEE
HOW WE DO FIRST,
GO FROM THERE.

618
00:35:35,610 --> 00:35:37,940
- EVERYONE STAY
IN TOUCH, OKAY?
- OKAY.

619
00:35:41,740 --> 00:35:43,740
( upbeat music playing )

620
00:35:43,740 --> 00:35:46,330
♪ HEY, YEAH, YEAH, YEAH ♪

621
00:35:46,330 --> 00:35:49,280
♪ HEY,
YEAH, YEAH, YEAH ♪

622
00:35:49,280 --> 00:35:52,460
♪ COME ON, EVERYBODY,
GET IT STARTED, YEAH,
IT'S ON THE ROAD ♪

623
00:35:52,460 --> 00:35:56,210
♪ SO GRAB YOUR FRIENDS LIKE,
READY, SET, OKAY, YEAH,
HERE WE GO ♪

624
00:35:56,210 --> 00:35:59,590
♪ NO TIME LIKE NOW,
LET'S DROP IT NOW J-JUST
LIKE ROCK 'N' ROLL ♪

625
00:35:59,590 --> 00:36:03,260
♪ SO TURN IT UP,
LIKE CRAZY LOUD
ON YOUR STEREO ♪

626
00:36:03,260 --> 00:36:05,350
♪ BOOM BOOM BOOM BOOM ♪

627
00:36:05,350 --> 00:36:09,220
♪ WE CAN'T WAIT FOR TONIGHT,
C-C-C-C-COME ON ♪

628
00:36:09,220 --> 00:36:12,440
♪ CAN'T WAIT FOR TONIGHT,
C-C-C-C-COME ON ♪

629
00:36:12,440 --> 00:36:16,310
♪ WE CAN'T WAIT FOR TONIGHT,
C-C-C-C-COME ON... ♪

630
00:36:16,310 --> 00:36:19,400
ALL RIGHT!
HERE'S TO THE OUTSIDE PROM!

631
00:36:19,400 --> 00:36:23,370
Students:
OUTSIDE PROM!
OUTSIDE PROM!

632
00:36:23,370 --> 00:36:25,530
♪ YEAH YEAH YEAH ♪

633
00:36:25,530 --> 00:36:28,530
♪ HEY, YEAH YEAH YEAH ♪

634
00:36:28,530 --> 00:36:31,460
♪ COME ON, EVERYONE,
C-CAN YOU FEEL WHAT'S
GOING ON? ♪

635
00:36:35,290 --> 00:36:37,380
THE QUEEN IS HAPPY
TO SERVE.

636
00:36:42,890 --> 00:36:44,390
THANKS.

637
00:36:44,390 --> 00:36:48,300
♪ WE CAN'T WAIT FOR TONIGHT,
C-C-C-C-COME ON ♪

638
00:36:48,300 --> 00:36:51,810
♪ CAN'T WAIT FOR TONIGHT,
C-C-C-C-COME ON ♪

639
00:36:51,810 --> 00:36:55,440
♪ WE CAN'T WAIT FOR TONIGHT,
C-C-C-C-COME ON ♪

640
00:36:55,440 --> 00:36:59,350
♪ CAN'T WAIT FOR TONIGHT,
C-C-C-C-COME ON ♪

641
00:36:59,350 --> 00:37:02,660
♪ COME ON, COME ON,
C-C-C-C-COME ON ♪

642
00:37:02,660 --> 00:37:04,530
♪ COME ON, COME ON... ♪

643
00:37:10,370 --> 00:37:11,420
OURS IS.

644
00:37:18,790 --> 00:37:21,140
HEY, YOU FLYING SOLO?

645
00:37:23,140 --> 00:37:24,260
ME TOO.

646
00:37:24,260 --> 00:37:25,470
YOU WANT
TO GIVE THIS A GO?

647
00:37:26,550 --> 00:37:27,640
ALL RIGHT, COME ON.

648
00:37:27,640 --> 00:37:30,350
♪ CAUGHT UP
IN THE MOMENT ♪

649
00:37:30,350 --> 00:37:32,940
♪ GOTTA TAKE IT ALL IN ♪

650
00:37:32,940 --> 00:37:35,730
♪ RIGHT NOW
IT'S ALL ABOUT YOU ♪

651
00:37:35,730 --> 00:37:39,270
♪ IF I CAN
MAKE YOU SMILE SMILE SMILE ♪

652
00:37:39,270 --> 00:37:41,570
♪ CAUGHT UP
IN THE MOMENT... ♪

653
00:37:41,570 --> 00:37:45,110
SO THE TUX--
WHAT'S YOUR VERDICT?

654
00:37:52,540 --> 00:37:54,540
WELL, I'M SURE

655
00:37:54,540 --> 00:37:57,670
A PRIVATE VIEWING
CAN BE ARRANGED.

656
00:37:57,670 --> 00:38:01,420
♪ I GOT A FEELING
THIS IS WHERE I BELONG ♪

657
00:38:01,420 --> 00:38:04,220
♪ THIS MOMENT RIGHT HERE
SO AMAZING ♪

658
00:38:04,220 --> 00:38:06,420
♪ YOU LOOK BACK AT ME
LIKE YOU'RE FEELING
THE SAME THING... ♪

659
00:38:06,420 --> 00:38:08,260
BEST PROM EVER.

660
00:38:08,260 --> 00:38:10,390
♪ DOESN'T EVEN REALLY MATTER
WHAT YOU'RE SAYING ♪

661
00:38:10,390 --> 00:38:13,770
♪ WATCHING YOUR LIPS
GOT ME GOING CRAZY ♪

662
00:38:13,770 --> 00:38:15,930
♪ CAUGHT UP
IN THE MOMENT... ♪

663
00:38:24,440 --> 00:38:27,400
♪ CAUGHT UP
IN THE MOMENT ♪

664
00:38:27,400 --> 00:38:30,030
♪ GOTTA TAKE IT ALL IN ♪

665
00:38:30,030 --> 00:38:32,870
♪ RIGHT NOW
IT'S ALL ABOUT YOU ♪

666
00:38:32,870 --> 00:38:35,290
♪ IF I CAN
MAKE YOU SMILE ♪

667
00:38:35,290 --> 00:38:38,000
♪ AND THE WORLD
KEEPS SPINNING... ♪

668
00:38:48,340 --> 00:38:50,470
REGINA, ANY LUCK?

669
00:38:50,470 --> 00:38:52,470
No. You?

670
00:38:52,470 --> 00:38:55,890
SHE'S NOT AT THE CLINIC.
I'M ON MY WAY TO ANGELO'S
RIGHT NOW.

671
00:38:55,890 --> 00:38:58,390
WAIT.

672
00:38:58,390 --> 00:39:00,400
I THINK I FOUND HER.

673
00:39:12,120 --> 00:39:14,790
( distant train horn
blowing )

674
00:39:14,790 --> 00:39:16,910
I'M SORRY.

675
00:39:16,910 --> 00:39:19,370
I'M SO SORRY.

676
00:39:19,370 --> 00:39:23,760
HONEY, NO.

677
00:39:23,760 --> 00:39:26,300
YOU'RE FINE.

678
00:39:26,300 --> 00:39:28,340
IT'S OKAY.

679
00:39:28,340 --> 00:39:30,770
NO, IT'S NOT.

680
00:39:30,770 --> 00:39:33,930
I MESSED UP MY JOB.
AND DR. J. HATES ME.

681
00:39:33,930 --> 00:39:36,220
AND BAY AND TRAVIS
HATE ME,

682
00:39:36,220 --> 00:39:39,720
AND THEY SHOULD, BECAUSE
I'M A HORRIBLE PERSON.

683
00:39:39,720 --> 00:39:42,820
AND MY MOM--

684
00:39:42,820 --> 00:39:45,440
I HAVE BEEN
TERRIBLE TO HER.

685
00:39:46,900 --> 00:39:49,150
NOBODY HATES YOU.

686
00:39:49,150 --> 00:39:51,700
YOU'RE NOT
A HORRIBLE PERSON.

687
00:39:51,700 --> 00:39:53,950
YOU'RE OKAY.

688
00:39:53,950 --> 00:39:56,450
IT'S GOING
TO BE OKAY.

689
00:39:56,450 --> 00:39:57,950
NO, IT'S NOT.

690
00:39:59,660 --> 00:40:02,920
ALL THE YEARS
THAT I WASTED

691
00:40:02,920 --> 00:40:05,750
WITH ANGELO--
BEING MAD AT HIM.

692
00:40:05,750 --> 00:40:09,420
HE WAS TRYING SO HARD
TO MAKE A CONNECTION
WITH ME, AND...

693
00:40:12,760 --> 00:40:15,050
NOW IT'S TOO LATE.

694
00:40:17,260 --> 00:40:20,050
I FELT THE SAME WAY

695
00:40:20,050 --> 00:40:22,940
WHEN I FOUND OUT
ABOUT THE SWITCH--

696
00:40:22,940 --> 00:40:26,730
ALL THOSE YEARS LOST,

697
00:40:26,730 --> 00:40:30,400
ALL THE MILESTONES
MISSED.

698
00:40:30,400 --> 00:40:33,740
BUT THERE'S
NO GOING BACK,

699
00:40:33,740 --> 00:40:37,280
ONLY FORWARD.

700
00:40:37,280 --> 00:40:40,710
IT'S EASY TO LIVE
IN ANGER,

701
00:40:40,710 --> 00:40:44,290
BUT I HAVE TO BE
GRATEFUL

702
00:40:44,290 --> 00:40:47,290
THAT AT LEAST
EVENTUALLY

703
00:40:47,290 --> 00:40:49,580
WE FOUND EACH OTHER.

704
00:40:50,970 --> 00:40:52,970
I LOVED HIM,

705
00:40:52,970 --> 00:40:55,300
AND I NEVER SAID IT.

706
00:40:55,300 --> 00:40:57,470
HONEY...

707
00:40:58,720 --> 00:41:01,730
ANGELO-- ANGELO KNEW.

708
00:41:01,730 --> 00:41:04,690
IT'S NOT ALWAYS

709
00:41:04,690 --> 00:41:06,690
ABOUT WORDS.

710
00:41:10,360 --> 00:41:14,280
♪ ...AND TOGETHER
WE CAN FIND ♪

711
00:41:14,280 --> 00:41:17,240
♪ OUR WAY TO SHORE... ♪

712
00:41:17,240 --> 00:41:21,170
( car door opens
and closes )

713
00:41:21,170 --> 00:41:24,250
♪ PROMISE WE WON'T BREAK ♪

714
00:41:27,960 --> 00:41:30,420
♪ AND YOU WILL ♪

715
00:41:30,420 --> 00:41:33,680
♪ KEEP ME SAFE ♪

716
00:41:33,680 --> 00:41:36,930
♪ AND I'LL BE BRAVE... ♪

717
00:41:36,930 --> 00:41:38,340
MOM.

718
00:41:38,340 --> 00:41:42,440
♪ I WON'T BE AFRAID ♪

719
00:41:44,900 --> 00:41:47,560
♪ AND YOU WILL ♪

720
00:41:47,560 --> 00:41:51,070
♪ KEEP ME SAFE ♪

721
00:41:51,070 --> 00:41:53,360
♪ AND I'LL BE BRAVE ♪

722
00:41:53,360 --> 00:41:55,360
♪ BE BRAVE ♪

723
00:41:57,910 --> 00:41:59,910
♪ BE BRAVE ♪

724
00:42:02,370 --> 00:42:04,370
♪ BE BRAVE ♪

725
00:42:06,750 --> 00:42:08,750
♪ BE BRAVE ♪

726
00:42:11,170 --> 00:42:13,170
♪ BE BRAVE ♪

727
00:42:15,300 --> 00:42:17,300
♪ BE BRAVE. ♪


